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EXPLORE THE BOSTON UPRIGHTS PIANOS

Crafted by STEINWAY & SONS and incorporating the distinctive patents and expertise that define the musical excellence of the STEINWAY legacy, the BOSTON line of upright pianos encapsulates the essence of the STEINWAY DNA. It stands as a remarkable accomplishment in instrument-building, offering an unparalleled playing experience at a price point previously considered unattainable.

THE MODEL THAT IS RIGHT FOR YOU

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UP-132E Performance Edition

The largest Boston upright piano at a height of 52" (132 cm), the UP-132E Performance Edition provides a rich and powerful sound that rivals many grand pianos.

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UP-126E Performance Edition

The Boston UP-126E Performance Edition makes a great addition to any teaching studio or home. A longer music rest accommodates more music. Height: 49½" (126 cm)

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UP-120S Performance Edition

The new Boston UP-120S Performance Edition is imbued with the classic Boston touch and tone and is optimized for any music room — at school or at home. Height: 47⅜" (120.3 cm)

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UP-118E Performance Edition

The Boston 118E Performance Edition combines the best in beauty and performance in an affordable piano. At a height of 46½" (118 cm) and a depth of 23½" (60 cm), the small profile allows you to fit this piano into almost any room.

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UP-118S Performance Edition

Boston's institutional model, UP-118S Performance Edition, is perfect for any music room and features double-rubber casters for ease of movement — and locks for the top and fallboard. Height: 46½" (118 cm)

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“You can hear the effects of the Steinway & Sons design from one end of the scale to the other.”

Bob Winter

Berklee College of Music

EXPLORE THE BOSTON UPRIGHT

Case

The Boston European-style case embodies the classic look — with an upper panel that swings open, allowing the tone to escape and providing a large flat surface for sheet music. The case comes with a slow-fall keylid and a middle pedal mute rail. The Boston school-style case features a horizontal music shelf, top-lid and key-lid locks, and double-rubber casters. It too has a graceful look and includes a bass sustain middle pedal.

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Soundboard/Backposts

High-grade, straight-grained, quarter-sawn spruce is used for the soundboard's resonant qualities and high strength-to-mass ratio. The soundboard is solid and not laminated, which creates the best resonance and projection of sound. In 1936, Steinway patented the diaphragmatic soundboard, which was designed to be thicker in the middle and gently tapered to the edges. The Boston soundboard has tapered thickness from bass to treble. A thinner soundboard in the bass area vibrates more freely, resulting in a richer, fuller tone.


Boston backposts are massive — providing a solid foundation for the resonating soundboard and tensioned vibrating strings, thus helping create a beautiful tone. Boston backpost locations are staggered — located where the string tension is greatest, instead of neatly equidistant. Massive staggered back posts help provide superb tone and maximum stability, ensuring the piano will last, tunings will be more stable, and piano tone will be enhanced for the years and decades to come.

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String Scale

A low tension string scale design gives a fuller, richer, warmer tone by allowing more of the lower partials to sing. It also has more sustain, is more powerful, has more dynamic range, and provides warmer and more mellow tones.

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Pinblock

A Baston Performance Edition exclusive, eleven layers of hard-rock maple (used for its superior hardness, grain and stability properties) are glued in different grain angles of 60 degrees, keeping the tuning pins tight but allowing for fluid motion and enabling better quality and longer lasting tunings.

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Action/Hammers

All-wood action parts, solid spruce keys, synthetic ivories and ebonies, and excellent action geometry work seamlessly together to move the hammers to the strings and create an excellent action-touch. The beautiful tone produced by the Steinway designed Boston hammers enhances the action touch by rewarding the player with a beautiful tone.

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